Marko Batista >> PIXXELPOINT 2005 - Backwards curator: Igor Spanjol

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ARS ELECTRONICA
ERROR TRASH
PR-DT Structures
PARALLEL SOUND
London
Res://:Data
BIENNALE 08
Speaker Sys 1.1
Composition:Film
motion tracker

12. IFCA
13. IFCA

Stat&Remixes
Greyzone "VV2"
PHOTOFINISH
MA @ CSM

VIDEO CUTS

International Digital Art Festival
curator: Igor Spanjol

COMPOSITION FOR FILM - TEST A

son:DA, Samo Salomon, Luka Princic, Miha Ciglar,
marko b., Samo Pecar, Resonance Data(Saletic, Batista)

"You will witness a first performance whose authors, ideas and technical solutions began to emerge through »tests 1-4«, that is audio-video signals from the Moderna galerija (museum of modern and contemporary art) in Ljubljana and the studio on the radio frequencies of MARthe project’s authors for the first time. The composition is based on ready-made and improvised parts, on an open and fluid system of free tuning in and out, dialogue, guiding and following. The basis is Slovene film, its parts, its context, techniques, history and the present, as well as the interference of the audio signal with/through the image. The platform of the sound is all the digital and analogue instruments which are turned on at a particular moment, interfaces or parts of the entire connection. The sound affects the image and the image affects the sound, people affect machines. Free communication begins with the acceptance of the present interfaces into one’s inner system.


PIXELPOINT 2003
PIXELPOINT 2005
 

KLON:ART:RESISTANCE
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